Phantom Culprit: The Showcase

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Below are images from the game, showcasing 12 weeks of work.







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Phantom Culprit: Weapons

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Glock 17 Gen. 4 My chosen weapon was the Glock 17 Generation 4. The Glock 17 is an Austrian made handgun chambered in 9x19mm and is used as the main sidearm for most law enforcements around the world. The biggest reason for choosing this gun apart from meeting my needs for a handgun is that it fits the setting of my game. The Glock 17 being the main handgun used by police and military forces in the UK and my game being based in the UK it made sense, giving the game some authenticity. The Glock 17 is also highly customizable with different attachments, such as torches and laser sights, as well as different grips, slide and colour patterns.  A Glock 17 Gen 4 (Image by Buds Gun Shop,  https://www.budsgunshop.com/catalog/index.php ) The Model I created the Glock 17 using reference images in Maya 2018. The gun was separated into 4 components to allow animation. These components being the slide, receiver, trigger and magazine. Each component was then  assigned a layer in Maya fo
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Phantom Culprit: Lighting and Materials

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The Lighting Lighting and materials play a massive part in the immersion of a player into the game world. I read articles published by Epic themselves on how the lighting system works in the Unreal Engine and the best techniques to light each part of the level. Static, Stationary and Movable lighting - (detailed in Phantom Culprit: Level Creation) Materials and their properties - PBR materials (detailed at the bottom of this post) Reflection spheres - capture and reflect light in a lighting build Post processing - edit lighting, bloom, colour grading, camera effects  Exponential height fog - dense fog with light scattering The reflection sphere captures the light from outside the windows, the ceiling lights and the emissive light from the vending machine then reflects that lighting to the surroundings. The floor has a shiny reflection compared to the rougher walls. The Materials The second part of a great lighting setup is PBR (Physcially Based Rendering) materials.
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